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Showing posts from October, 2024
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Rags - contemporary embroidery  Computer screens vary the colours of threads and fibres, so often when I purchase goods on line the colours don’t meet with my expectations. With restricted human contact during lockdown  this led to me abandoning my felt work. Until I discovered Patricia Brown I was left with a heap of unused fabrics. She is a New York abstract artist who transferred her gestural approach to painting to stitch. Read all about her on  textile artist.org Not having a collection of paint cleaning cloths; I decided to allocate a cleaning rag for each painting. Thoughts before I start Avoid using a hoop (personally I find them restrictive), use a lining fabric instead Avoid “twee”, it is so easy to fall into this trap Avoid oil paint as it rots untreated fabric First attempt Thick acrylic paint is too hard to stitch through. Dilute paint is easier to stitch and makes nice marks. I added more painted fabric to give the work interest and relief. The linen frayed ...
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  Session/assignment 2 Tim uses a limited pallet of very bright intense hues. Taking inspiration from his work paint a flower/plant that fills the page, touching all 3 sides of the ground. Consider the negative spaces and create a free flowing, energetic composition. Oscar Wilde said, ‘Art only begins when imitation ends’. Doing the research: Quickly done thumbnail sketches helps me work out my composition. A conundrum, the teasel is a very structured plant, so how do I get the painting free flowing? I decided the negative space that is the area around the plant will have to have the movement. Hopefully this will make the image energetic  Process -  I used acrylic extender to do the background, this provided the opportunity to get some directional marks using a paint brush. It took a few hours to dry before I could proceed with drawing and painting the image.